France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Eugene Delacroix

French Romantic Painter, 1798-1863

ID de tableau::  929
Justice
Justice
1833-37 Salon du Roi, Palaais Bourbon, Paris
1833-37 Salon du Roi, Palaais Bourbon, Paris
French Romantic Painter, 1798-1863

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

ID de tableau::  63797
Justice
1509-11 Fresco, diameter 180 cm Stanza della Segnatura, Palazzi Pontifici, Vatican The personification of Justice is holding, as her symbols, weighing scales and a sword. Her eyes are directed at the fresco below, The Virtues, in which Fortitude, Wisdom, and Temperance are portrayed in the form of three women. Taken together, all four personifications represent the Cardinal Virtues. Justice's prominent position is explained by the fact that Justice was said by Plato to play a decisive role among the virtues. Two putti are holding the inscription with the words of Emperor Justinian, "She gives Justice to all."Artist:RAFFAELLO Sanzio Title: Justice (ceiling tondo) Painted in 1501-1550 , Italian - - painting : religious
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Raphael

Italian High Renaissance Painter, 1483-1520

ID de tableau::  64800
justice
se
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Sir Joshua Reynolds

British 1723-1792 Sir Joshua Reynolds Locations

ID de tableau::  69384
justice
se
British 1723-1792 Sir Joshua Reynolds Locations

   
 

 

 
   
      

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Eugene Delacroix

French Romantic Painter, 1798-1863

ID de tableau::  88821
Justice
between 1833(1833) and 1837(1837) Medium Oil and cyf
French Romantic Painter, 1798-1863

   
 

 

 
   
      

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Eugene Delacroix

French Romantic Painter, 1798-1863

ID de tableau::  88822
Justice
between 1833(1833) and 1837(1837) Medium Oil and cyf
French Romantic Painter, 1798-1863

   
 

 

 
   
      


ID de tableau::  96269
Justice
1542(1542) Medium oil on panel cyf
1511-74

   
 

 

 
   
      

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Pedro Americo

de Figueiredo e Melo (Areia, Brazil, 29 April 1843 - Florence, Italy, 7 October 1905) was one of the most important academic painters of Brazil. He was also a writer and a teacher. He moved to Rio de Janeiro in 1854, where he was granted a scholarship to study in the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts). Later he furthered his studies in Europe, at the École des Beaux-Arts in Paris, being a pupil of Jean-Auguste-Dominique Ingres, Hippolyte Flandrin and Carle-Horace Vernet, winning much praise for his paintings, and achieving the Doctorate in Sciences at the University of Brussels, in 1868. Returning to Brazil, he produced a great series of masterpieces, including one of the most well known works of art in Brazil: Independence or Death!, depicting the moment when Prince Peter declared the country independent from Portugal, a work that has illustrated History books for elementary schools in Brazil for decades. Living mostly in Florence, Italy but traveling extensively back and forth from Rio de Janeiro, Pedro Am??rico managed to work also as a lecturer and an art historian. He married Carlota de Ara??jo Porto-alegre (1844?C1918), daughter of painter and diplomat Manuel de Ara??jo Porto-alegre, and they had children. Knighted by the German Crown he was also Great Knight of the Order of the Holy Sepulchre. With the proclamation of the Republic in Brazil in 1889, he was elected a deputy of the National Assembly.

ID de tableau::  97593
Justice
oil Dimensions 77.5 x 52 cm cyf
de Figueiredo e Melo (Areia, Brazil, 29 April 1843 - Florence, Italy, 7 October 1905) was one of the most important academic painters of Brazil. He was also a writer and a teacher. He moved to Rio de Janeiro in 1854, where he was granted a scholarship to study in the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts). Later he furthered his studies in Europe, at the École des Beaux-Arts in Paris, being a pupil of Jean-Auguste-Dominique Ingres, Hippolyte Flandrin and Carle-Horace Vernet, winning much praise for his paintings, and achieving the Doctorate in Sciences at the University of Brussels, in 1868. Returning to Brazil, he produced a great series of masterpieces, including one of the most well known works of art in Brazil: Independence or Death!, depicting the moment when Prince Peter declared the country independent from Portugal, a work that has illustrated History books for elementary schools in Brazil for decades. Living mostly in Florence, Italy but traveling extensively back and forth from Rio de Janeiro, Pedro Am??rico managed to work also as a lecturer and an art historian. He married Carlota de Ara??jo Porto-alegre (1844?C1918), daughter of painter and diplomat Manuel de Ara??jo Porto-alegre, and they had children. Knighted by the German Crown he was also Great Knight of the Order of the Holy Sepulchre. With the proclamation of the Republic in Brazil in 1889, he was elected a deputy of the National Assembly.

   
 

 

 
   
      

Pedro Americo
de Figueiredo e Melo (Areia, Brazil, 29 April 1843 - Florence, Italy, 7 October 1905) was one of the most important academic painters of Brazil. He was also a writer and a teacher. He moved to Rio de Janeiro in 1854, where he was granted a scholarship to study in the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts). Later he furthered his studies in Europe, at the École des Beaux-Arts in Paris, being a pupil of Jean-Auguste-Dominique Ingres, Hippolyte Flandrin and Carle-Horace Vernet, winning much praise for his paintings, and achieving the Doctorate in Sciences at the University of Brussels, in 1868. Returning to Brazil, he produced a great series of masterpieces, including one of the most well known works of art in Brazil: Independence or Death!, depicting the moment when Prince Peter declared the country independent from Portugal, a work that has illustrated History books for elementary schools in Brazil for decades. Living mostly in Florence, Italy but traveling extensively back and forth from Rio de Janeiro, Pedro Am??rico managed to work also as a lecturer and an art historian. He married Carlota de Ara??jo Porto-alegre (1844?C1918), daughter of painter and diplomat Manuel de Ara??jo Porto-alegre, and they had children. Knighted by the German Crown he was also Great Knight of the Order of the Holy Sepulchre. With the proclamation of the Republic in Brazil in 1889, he was elected a deputy of the National Assembly.
Justice

        
 
   
 

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